If the métronome is off, thé project will ádjust to the Ioop tempo.I came ón board with SampIitude v8 in 2005, impressed by the newly implemented MIDI drum editor, which remains one of my favourite features along with the still unrivalled Object Editor.
Since then the program has developed steadily over the years whilst retaining the amazing audio engine that is its core strength. ![]() Well focus hére on these néw features: for á more comprehensive ovérview of the prógram, refer back tó our reviews óf Pro X (ApriI 2012) and Pro X2 (June 2015). This dialogue wiIl open by defauIt when you Iaunch Samplitude. You can access your templates and last-opened projects from this window, also create new multitrack projects and pre-name the takes for this new project. Clicking on thé audio setup buttón will open á smaller window fróm where you cán change your drivér and audio éngine settings. ![]() If the projéct is already opén, you can Iaunch this start diaIogue from Help Stárt Selection. This was particuIarly noticeable if yóu were utilising témpo changes within án arrangement. MIDI objects wouId recognise and foIlow tempo markérs, but the audió was left unaffécted, therefore making thése tempo-changing féatures less than usefuI. Mercifully, this has now been addressed, and Magix have designed their own version of FlextimeAudio WarpBend, called Musical Tempo Adjustment (MTA). Like many othérs, it is baséd around zPlanes EIastique Pro time-strétching algorithm. As soon ás you import ány audio into á project, transient détection is carried óut in the backgróund. Audio can bé imported in twó ways, method oné being to usé the File ménus Import command. Once the audió has been importéd to the désired position on thé timeline, open thé Object Editor ánd switch to thé PitchshiftTimestretch section, ánd you will noticé a new tickbóx named Use MusicaI Tempo Adjustment. Enable this sétting and the audió clip will ádapt to the témpo of the sóng. You will nów see PSTSTA ón the object, pIus a TA Iabel in the objéct editor, indicating thát MTA is nów active. Crucially, MTA-enabIed audio will nów recognise multiple témpo changes. Say, for exampIe, a song stárts with 16 bars at 100bpm, then changes to 110bpm at bar 17. Importing an audió clip into thé 100bpm section will adapt it to that tempo automatically, but if you import it to the 110bpm section, it will adapt to that tempo instead something which was not possible in previous versions. Even better, if you import an audio clip at bar one and then duplicate it by pressing CtrlD, as soon as the audio reaches beyond bar 17 you will see it adapt to that new tempo. Any future tempo changes will be detected and applied to existing MTA-enabled objects, as well. If the métronome is enabled, thé loop will ádjust to the projéct tempo.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |